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    Details of larger artworks.

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    La Vierge aux rochers - The Madonna of the Rocks, 1483. Detail of 40-07-02/5. Wood transposed onto canvas, 199cm x 122 cm. Inv. 777

    39-19-10/19

    Bathsheba in the bath. Her face reflects the difficulty of the situation - forced to submit to the king's will, she feels guilt of betraying her husband Uriah. Detail. For overall view please see 39-19-17/7. Oil on canvas (1654) 142 x 142 cm MI 957

    39-19-17/ 8

    Triptych of the Resurrection; left wing Saint Sebastian, right wing Ascension. Detail of the right wing depiction of the Ascension of Jesus Christ. For overall view please see 40-03-06/25. Wood, 62 x 42cm. M.I. 247 - 249

    39-19-17/64

    The Oath of the Horatii, 1789. Detail of hands and swords. For overall view please see 40-11-02/12. Oil on canvas 330 x 425 cm Inv. 3692

    39-19-18/30

    The Tower of Babel. Detail of 40-02-03/25 Oil on oakwood (1563) Overall size 114 x 155 cm Cat. 48, Inv. 1026

    40-02-03/28

    The Party in the Country. Detail of 40-03-01/54 Oil Cat. 136

    40-03-01/55

    Still-life with fruit, lobster and goldfinch Detail Oil on canvas

    40-05-03/63

    La Vierge aux rochers - The Madonna of the Rocks, 1483. Detail of 40-07-02/5. Wood transposed onto canvas, 199cm x 122 cm. Inv. 777

    40-07-02/ 6

    The Wedding at Cana. Photograph before restoration. Please see 40-08-02/34-38 for post-restoration pix.

    40-08-01/65

    Battle of Marengo, june 14, 1800, in which Napoleon I defeated the Austrians in their Italian possessions. Detail: a wounded soldier is carried from the battlefield Oil on canvas, 180 x 250 cm

    26-03-04/44

    La Belle Iseult 1858 Oil on canvas; 718 x 502 mm The inspiration for this painting was Thomas Malory's 'Morte d'Arthur' (1485), in which Guinevere's adulterous love for Sir Lancelot is one of the central themes. The model is Jane Burden who became Morris's wife in 1859, and also appears in Rossetti's 'Proserpine' displayed nearby. She was 'discovered' by Morris and Rossetti when they were working together on the Oxford Union murals, the subject matter for which was also taken from Malory. The painting is essentially a portrait of her in medieval dress. It is a splendid expresion of the intense medieval style prevailing in Rossetti's circle in the late 1850s, with its emphasis on pattern and historical detail. This is Morris's only completed oil painting. N04999

    39-17-02/21

    The Garden of Delight (detail) Oil on wood, 220 x 195 cm On loan from the Prado

    39-19-12/22

    Le buffet, 1728. Detail of the dog. (40-11-09/60). Canvas, 194 x 129 cm INV. 3198

    39-19-14/67

    The Wedding at Cana. Photograph after restoration. From the Benedictine Convent of San Giorgio Maggiore, Venice. Detail of two dogs. (40-08-02/34). Canvas (1562-1563), 666 x 990 cm Inv. 142

    39-19-14/70

    The Turkish Bath. Detail of 40-11-02/42. Canvas on wood (1862) Diameter 110cm. R.F. 1934

    39-19-16/42

    La cuisine des Anges - the angels' kitchen (detail). One of twelve paintings for the small cloister of the Franciscan monks of Sevilla. It shows the monastery's cook, Francisco Dirraquio, surpised by the prior, as he looks in amazement at the miracle opf the angels preparing the meal. Canvas, 180 x 450 cm. Detail. (for overall please see 40-06-05/42). M.I.203

    39-19-17/ 1

    Ginevra d'Este, first wife of Sigismondo Malatesta. Detail. For overall view please see 40-08-01/19. Oil on wood (1436) 43 x 30 cm RF 766

    39-19-17/ 4

    L'Entree du Grand Canal et l'Eglise de la Salute - Entry to the Canal Grande and the church Sta.Maria Salute in Venice. Detail of 40-08-13/47. Canvas, 119 x 153 cm. R.F.1961-33

    39-19-17/17

    La grande Pieta ronde - the large pieta, tondo Painted for Philippe le Hardi (the Bold), ca.1400 Duke of Burgundy (1363-1404). Detail of 40-11-09/1. Wood, 64.5 cm across. M.I. 692

    39-19-17/56

    Saint George and the Dragon. Detail of 40-07-07/3. Oil on wood (1505) 29,5 x 25,5 cm Inv. 609

    39-19-18/29

    Massacre of the Innocents. Detail of 40-02-03/46 Oil on oakwood (1565) Overall size 116 x 160 cm Cat. 53, Inv. 1024

    40-02-03/47

    Vegetable market. Detail Oil on canvas (1580-1590) 108.5 x 220 cm Inv. 7626

    40-03-02/63

    Dulle Griet. Detail of 40-03-03/19 Oil on oakwood (1562-1566) 117 x 162 cm

    40-03-03/20

    The sea-battle of Lepanto. Doge Sebastiano Venier. Detail of 40-07-03/9. Oil on canvas (ca. 1578) 104.5 x 83.5 cm Inv. 32

    40-07-03/10

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